Teachers & Workshops
Note: we still have some artists and names to announce for the Friday programme which is separate from the other workshops.
See the information below for a list of workshops that these teachers will be running.
We have also provided additional information on some workshops e.g. Less well known instruments
Yaw Asumadu
Vieux Bakayoko
Idrissa Camara
Babacarr Dieng
Vicky Dzivenu
Nansady Keita
Seckou Keita
Ben Lawrence
Karim M’Baye
Landing Mane
Simon (Tanante)
Jamie (Tanante)
Diene Sagna
Iya Sako
Mockolo Sawane
Binta Suso
Surahata Susso
Hans Sutton
Malo Sonko
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For information on booking your workshops in advance, see About ABC
In this four day course of workshops where you will learn rhythms and technique for a Kpanlogo drum and percussion ensemble from the Ga people of Accra. Yaw will also teach you songs with harmony parts. Vicky is leading the Ghanaian dancing. You can choose during the four day course, whether you wish to drum only or to do both drumming and dancing.
This will be a four day course for intermediate/advanced Sabar players. Note: Babacarr will be running these workshops (not Modou Diouf as previously advertised)
This is a four day course split into two sections, two days with one teacher and then two days with another.
Level 1 = Hans, Iya
Level 2 = Iya, Vieux
Level 3 = Nansady, Seckou
Level 4 = Seckou, Nansady
See FAQ for more information about how the participant levels will be organised.
There will be designated Dundun players for each workshop. If Dundun is your main instrument and you’ll be bringing your own, you are welcome to play Dundun. Please state this on your Booking Form.
Originally from Senegal, Landing teaches African Dance of the Manding Music tradition. He is a very accomplished teacher through years of teaching dance in the UK, so this is particularly suited to participants with less dance experience.
Idrissa will be teaching choreography, style and songs from the drum and dance ballets of Guinea. Suitable for dancers who already have good grounding in African Dance and are able to learn more complicated moves or work at a faster pace.
The Bougarabou is a Jola drum from the Casamance. One person usually plays a group of two to four drums from a standing up position and they are similar to Congas in tone. If you have any Bougarabou’s bring them with you!
The Bolon is a West African Manding harp consisting of 3 strings and a calabash resonator, played by hitting the calabash and plucking the strings.
The krin is a “slit drum” originally from the Forest Region of Guinea made from a carved, hollowed out log. It produces different tones by playing the two or three slits with sticks.
Bring your Dunduns!
Idrissa will be running a course for 2 days and Landing the other 2 days. This workshop welcomes Djembe players who would like guidance in how to mark steps and interact with the dancers. Dundun players are also invited as well as dancers who would like “dance for drum” experience.
Whether you are a new or experienced player, Ben will develop your skills on the Ghanaian Balafon.
A shorter session than the morning workshops, so dance is not included.
Learn some beautiful Mandinka songs with Binta accompanied by Sura on Kora. If you are a Kora player, you are welcome to bring yours to play.
Another great opportunity to improve your Sabar skills. Note: Babacarr will be running these workshops (not Modou Diouf as previously advertised)
Sabar drumming has been part of the UK drum camp scene for over a decade but not the accompnying dance. At last an opportunity to try out this Wolof dance!
The Serouba is three-drum ensemble from The Mandinka people of The Gambia and the Casamance region of Senegal. Similar to Sabar, they are mainly played with a hand and stick and use pegs to tighten the skin. The Serouba is softer in tone than the Sabar and usually accompanied by singing.
Do you usually refuse to do a Djembe solo? You are amongst friends here! Jamie and Simon, from Manchester based group Tanante, will help create a supportive atmosphere, giving you guidance and encouragement to have a go – you won’t be forced to solo either!
The Wolof talking drum from Senegal is called a Tama. The pitch is altered by squeezing the cords that run the length of the drum’s body whilst hitting the skin head with a curved stick and fingers. The Tama has become a familiar sound within Senegalese popular music and Karim has played with many famous artists including Youssou N’Dour and Baaba Maal.
Children and young people are welcome to participate in the adult workshops. However there will not now be any separate kid’s activities. We had previously advertised that we would provide drumming, dance and craft workshops for children and young people but unfortunately we have not sold enough of these tickets.
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